Here's How Much More Films About Nonwhite People Make Versus Films About White People

Universal

In October, Mic ran the numbers to challenge the notion that movies about women make less than movies about men. Indeed, over the past decade, top-25 movies about women made an average of $45.5 million more than movies about men.

Surely the same would be proven true of movies about nonwhite people. After all, the reported truth is that diversity sells — not just in film, but in television too. It makes sense that the numbers would bear that out.

The short answer is: Yes, movies about nonwhite lead characters make more than movies about white characters. Quite a bit, actually. But the long answer is more complicated.

Read more: These 4 Charts Reveal Exactly How Terrible Hollywood's Diversity Problem Is

The methodology: To perform this analysis, we compared the box office grosses of the top five films with white leads and the top five films with nonwhite leads from each of the last 10 years. (As 2016 only includes data up to May, it's not a full set of data.) We calculated how much money each of these movies actually profited domestically — so not just their box office take, but how much they earned over their budget. We sourced nearly all of the budget and box office numbers from Box Office Mojo.

Movies with roughly equal representation of white and nonwhite leads (think Safe House and Vantage Point) weren't included, nor were movies primarily about events (2012) or animate-but-nonhuman things (Transformers).

The result, at first, was seemingly contradictory to the "diversity sells" common wisdom. In every single year, movies with white leads out-profited movies with nonwhite leads — often by huge margins.

Source: Mic/Box Office Mojo
Source: Mic/Box Office Mojo

In each year, most movies about nonwhite people did well at the box office, often because they were made for less money. But their cheap budgets were both their strength and their weakness: Simply turning a small profit isn't enough to keep up with huge blockbusters. Tyler Perry's Why Did I Get Married Too may have made $40 million over its tiny budget, but that's pennies compared to fellow 2010 film Inception turning a $133 million profit.

But in the spirit of Inception, we have to go deeper. Inception may have grossed $293 million, but its budget was $160 million. It made about 1.83 times its budget. Why Did I Get Married Too? Three times its budget.

Source: Mic/Box Office Mojo
Source: Mic/Box Office Mojo

This is the key. In sheer numbers, due to lower budgets, movies with nonwhite leads can't compete. But they're a much smarter bet because of their huge return on investment.

On average, top movies about white people make approximately 2.32 times their budget. Movies about nonwhite people, however, make 3.3 times their budget. In all but two years — 2009 and 2016 — the top five movies starring nonwhite leads had a better average return on investment.

Source: Mic/Box Office Mojo
Source: Mic/Box Office Mojo

Side note: The spike in 2015 is thanks to a Christian-themed film called War Room. That movie made a massive $68 million against a $3 million budget — in other words, it made its budget back almost 23 times over. Christian-themed films do notoriously well at the box office, proving that a targeted, diverse, low-budgeted film can be the safest bet in Hollywood.

What does this result mean? Simply put, casting nonwhite leads is, on average, a better investment. Using these average multipliers, a hypothetical movie — let's say an action blockbuster, something with wide appeal — budgeted at $100 million and filled with primarily white lead characters would make a projected $232 million. Change out the cast for nonwhite actors, and that projection shifts to $330 million.

There are other factors to consider, of course, including effectiveness of marketing, star power of leads, etc. But these numbers do bear out a truth we'll repeat once again: Diversity sells. Movies with nonwhite leads make money. Audiences want those movies. There is, simply put, no reason not to make them — and to give them even bigger budgets.