Oscars 2018 Predictions: Forget this year — what movies will win big next year?

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We've got a lot of time before the 89th Academy Awards — 27 days, to be exact. As Mic's chief awards watcher, I'm committed to finding all the ins and outs of the race to cover.

But I'm getting bored. What's the 2018 Oscar race looking like?

For the pure fun of it, I'm gonna take a preliminary crack at predicting the 2018 Oscar nominations. This is based entirely on conjecture and buzz, having seen exactly zero of these movies. I will be proven very wrong come January 2018. But as we zero in on the movies nominated this year, it's nice to remember we'll eventually stop thinking about La La LandLion and Manchester by the Sea — and a new set of favorites will consume the buzz.

A couple of caveats: First, I'm unconvinced gay drama Call Me by Your Name has long-term Oscar chances. The film, an adaptation of the 2007 André Aciman novel of the same name, earned raves at the Sundance Film Festival — but those only go so farMoonlight feels like an Oscar miracle, but just last year, a lavish, devastating queer love story (Carol) got shut out of both the best picture and best director races. I'm including Call Me by Your Name in the big contests here, but I could easily see it becoming a critical favorite without substantial Oscar support, à la Jackie

Secondly, as you peruse this list, you'll notice a dearth of actors of color represented. Keep in mind that around this time last year, Hidden Figures hadn't been announced, Fences didn't have a 2016 release date and Moonlight wasn't on anyone's radar. There's plenty of time for other films to make a showing. But it's possible they won't; again, 2017's Oscar nominees didn't fix #OscarsSoWhite. Sadly, it's unlikely 2018's lineup will be as historic.

With those notes out of the way, here are my absurdly early picks for the 2018 Oscars.

Best picture

'Call Me by Your Name'  Sony Pictures Classics

Call Me by Your Name

Darkest Hour

Downsizing

The Glass Castle

The Greatest Showman

The Mercy

Mother

Untitled Detroit project

Possibles: The Florida Project, Mudbound

Downsizing, by Academy of Motion Picture Arts and Sciences favorite Alexander Payne (The Descendants, Nebraska), presents the director with a real chance at winning best picture boosted by a great cast (Matt Damon, Kristen Wiig). It feels like the winner here, unless something like Darren Aronofsky's Mother can go all the way in a manner his Black Swan couldn't. 

We're waiting to see what Kathryn Bigelow and Mark Boal's third collaboration — the untitled Detroit project — has in store, but they have their win already in The Hurt Locker. If The Glass Castle or The Greatest Showman is truly impressive, they could be threats. The same goes for The Florida Project and Mudbound from directors Sean Baker and Dee Rees, respectively. But at this very early stage, it feels like Payne's time.

Early pick to win: Downsizing

Best director

Kathryn Bigelow  Valerie Macon/Getty Images

Darren Aronofsky, Mother

Kathryn Bigelow, untitled Detroit project

Destin Daniel Cretton, The Glass Castle

Luca Guadagnino, Call Me by Your Name

Alexander Payne, Downsizing

Possibles: Sean Baker, The Florida Project; Dee Rees, Mudbound

If this is indeed Payne's year, he's also likely to win here. But let's throw a curveball and hope for a split. Even if Mother is too much for the academy, it may reward the rather singular vision of its director. Aronofsky got nominated for Black Swan; it's easy to see him going the distance this time around. 

Early pick to win: Aronofsky

Best actor

Hugh Jackman  Julien M. Hekimian/Getty Images

Colin Firth, The Mercy

Matt Damon, Downsizing

Armie Hammer, Call Me by Your Name

Hugh Jackman, The Greatest Showman

Gary Oldman, Darkest Hour

Possibles: Willem Dafoe, The Florida Project; Idris Elba, The Mountain Between Us

Did you know Hugh Jackman has never won an Oscar? His only nomination is for the movie adaptation of Les Miserables, which feels like a distant memory. If his P.T. Barnum biopic is a critically acclaimed hit, this could be his moment. If I'm wrong about Call Me by Your Name, however, this could easily be Hammer.

Early pick to win: Jackman

Best actress

Jessica Chastain  Jordan Strauss/AP

Jessica Chastain, Molly's Game

Viola Davis, The Personal History of Rachel DuPree

Brie Larson, The Glass Castle

Jennifer Lawrence, Mother

Kristen Wiig, Downsizing

Possibles: Penélope Cruz, untitled Asghar Farhadi project; Kate Winslet, The Mountain Between Us

I have Penélope Cruz down as a potential nominee here, but I have a suspicion Iranian director Asghar Farhadi's newest project is going to receive much more attention: Farhadi made headlines over the weekend for declining to attend this year's Oscars after Donald Trump issued an executive order on immigration. Cruz could benefit from the additional media coverage.

Along with Lawrence, Davis will be an Oscar winner by the time nominations are announced next year, but never count them out for repeat victories. Wiig's nomination would be the win — though it's possible she'll be in the supporting actress category instead, dependent on the size of her role — while Jessica Chastain looks like the "it's time" candidate here.

Early pick to win: Chastain

Best supporting actor

John Hurt  Pascal Le Segretain/Getty Images

Zac Efron, The Greatest Showman

Woody Harrelson, The Glass Castle

Ed Harris, Mother

Garrett Hedlund, Mudbound

John Hurt, Darkest Hour

Possibles: Timothee Chalamet, Call Me by Your Name; Christoph Waltz, Downsizing

Posthumous nominations are less common than people think — as a winner, Heath Ledger was even rarer — but if Darkest Hour, the British war drama featuring John Hurt as Neville Chamberlain, takes off, it could be a nice way to remember the late Hurt.

Elsewhere, expect Zac Efron to get long-awaited Oscar traction for The Greatest Showman, while playing an alcoholic dad in The Glass Castle should finally send Woody Harrelson onto the Oscar stage.

Early pick to win: Harrelson

Best supporting actress

Naomi Watts  Andreas Rentz/Getty Images

Holly Hunter, The Big Sick

Nicole Kidman, The Beguiled

Julianne Moore, Wonderstruck

Naomi Watts, The Glass Castle

Michelle Williams, The Greatest Showman

Possibles: Kirsten Dunst, The Beguiled; Michelle Pfeiffer, Mother

Like Cruz, I wouldn't be shocked if Michelle Pfeiffer shows up in 2018 despite her placement in the possibles. She's appearing in a ton of projects this year, ending her four-year absence from the screen. It really just depends on how much there is for her to do in Mother. (Notably, Pfeiffer still doesn't have an Oscar.)

If Pfeiffer doesn't break through, don't be shocked if another Michelle takes it home: Williams. She's been nominated four times; the fifth time may be the charm.

Early pick to win: Williams