Manuel Betancourt

Manuel is a NYC-based writer interested in all things media and pop culture. He's a regular contributor to The Film Experience, Remezcla, Slant Magazine, and his work has been featured in Film Comment, Model View Culture, and PopMatters. He also has a PhD but hates bragging about it. www.mbetancourt.com

Culture

Viola Davis is the best — and only — reason to see 'Suicide Squad'

Culture

Elena of Avalor, Disney's New Latina Princess, Is the Right Girl for a Multicultural World

Culture

New HBO Documentary 'Suited' Takes Viewers Into the World of LGBTQ-Friendly Bespoke Suits

Culture

The Most Radical Thing About ‘Orange Is the New Black’ Is Its Latina Characters

Culture

Here Are 100 Queer and Trans People of Color for Gay Magazines to Put on Their Covers

Culture

Groundbreaking Installation '6x9' Uses VR to Simulate the Perils of Solitary Confinement

Culture

How "The Whiteness Project: Intersection of I" Makes White People Grapple With Privilege

Culture

'Archer' Became the Most Sexually Progressive Show on Television While No One Was Looking

Culture

OWN's 'It's Not You, It's Men' Proves Women Must Be Included in Talk About Love and Sex

Culture

The Problem With How Hollywood — and the Oscars — Treat Sex in Movies

Impact

Samantha Bee's ‘Full Frontal’ Puts a Feminist Spin on Insult Comedy

Culture

Representation Is a Trend on TV — But Not Network TV

Culture

The People's Choice and MTV Movie Awards Are Just as White as the Oscars

Culture

The Oscars Nominated More Women Writers This Year — But Fewer Movies Directed by Them

Culture

'American Crime' Is Tackling Male Rape in Season Two — Here's Why That's Revolutionary

Culture

'Creed' and 'Inside Out' Reveal the Gender Politics of Crying at Movies and "Manly Tears"

Culture

Like Music Videos, Movie Trailers Are Now All About the GIFs

Culture

Hollywood's Ageism Is Most Obvious in One Kind of Character: Moms

Culture

'Please Like Me' Is the Best Show About Mental Illness You're Not Watching

Culture

2015 Has Been a Banner Year for Movies Written by Women — Both Successes and Failures